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Sarah Lilley
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  • SARAH LILLEY
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The Birth — and Ongoing Life — of Edward Hopper’s “Nighthawks”

Representing Dark Matter

Anthropomorphism

Chris Watson on Benjamin Britten

The Man Who Saw Dinosaurs

Art exhibit, laboratory or amusement park? You decide.

Library of Dust

Zwelethu Mthethwa

Greeting Card Emergency

Forever Jung

Vidal Sassoon’s Inspiration

Jenny Saville on Francis Bacon

Nip & Tuck on the Wall

Fold.It

Warning Signs

Cuisine Science
[FULL SHOW]

Creative Minds Go Green
[FULL SHOW]

Richard Misrach’s “On the Beach”

Smell You Later

Biomimicry

Nikola Tesla, Strange Genius
[FULL SHOW]

Postcards from Mars

Richard Serra

Hypnotic Brass

Soldier

Scratch & Sniff
[FULL SHOW]

Luminance: What You See, and What You Get

Presenting Darwin

Lisa Randall Sees Hidden Worlds

M.C. Escher’s Crystal Vision

Symmetry
[FULL SHOW]

Ed Ruscha’s Unconventional Materials

Takashi Murakami on Kawaii

Tim Hawkinson’s Little Friends

Eurydice Speaks

Christo & Jeanne-Claude’s “The Gates”

Art Forms in Nature (or maybe not)

Frieda Hughes

Toxic Materials

Watercolor

Conlon Nancarrow’s Player Piano

Lee Bontecou

Snow in a Bottle

Open House: New York

The American Effect

Manet/Velázquez

Death Metal

Indian Miniature Painting

Dance into “Descent”

The Art of the Frame

  • If you can hear it, you can see it.

  • Random

    • Ed Ruscha’s Unconventional Materials

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